No Dorai: A mess that fails to deliver on its promise
Star Cineplex’s first venture into film production, “No Dorai”- a film based on the story of a local Bangladeshi girl from Cox’s Bazar and her passion for surfing, has been the talk of the town recently.
Ever since the poster of a young surfer girl, in a red saree whose fierceness meets the ones in her eyes, was released, moviegoers have been eagerly waiting to go and watch what promised to be a milestone for Bangladeshi cinema. As it premiered on November 28th in Star Cineplex, it offered the local audience a glimpse into what it could have been. Had it not messed up so badly.
Directed by Taneem Rahman Angshu, the film has the elements that make it an exuberant celebration of the ups and downs in Ayesha’s (Sunerah) life. You see the passion in her eyes as she shows commendable surfing skills and the helplessness in her eyes when she asks her father for help after getting married. Sunehra’s portrayal of the character is admirable.
The cinematography of the film is magnificent. Cinematographer Suman Sarker has memorialized the sheer beauty of Cox’s Bazaar, wrapped them in bows and delivered this beautiful ‘gift’ of such brilliant cinematography.
Be it the spell-bounding drone shots of the beach, the placement of the actors on screen in a particular landscape or using various angles to portray the scenes, he has envisioned it right and created a magic like trance on screen.
Despite being a movie in local Chittagonian dialect throughout, Ayesha’s vulnerability portrayed with heartbreaking precision is something we all understand and feel sorry for. The acting chops of Sariful Razz and the actor portraying Ayesha’s brother were also commendable.
What does not
The two and a half hours of beautiful cinematic shots offer little story besides what we already know from the trailers and the title tracks. The lack of subtitles in a movie made entirely in the local dialect does not help its case either.
All in all, sitting through the entire runtime of No Dorai requires quite the hard work.
As fans enter the theatre expecting a film that highlights surfing, a struggling story and most importantly, women’s emancipation, they will find many of these elements missing. Despite great performances by Sunerah, her character often is overshadowed by the multiple other aspects of the movie revolving around Sohel’s (Sariful Razz) story.
The involvement of the foreign cast seemed distracting, especially because they did not blend in as well as the other characters. Ensuring more screen-time for Ayesha’s character and story would have made a more valid point for the plot of the movie.
With a story that becomes somewhat predictable after a while and a plot that does not resonate the message of women empowerment as strongly as it promised in the poster and trailer, No Dorai fails to deliver on its promise.
Brilliant cinematography, beautiful choice of musical scores and unforgettable acting from the casts involved fails to uplift a movie brought down by lazy and sub-par story writing. With a rating of 2/5 from us, in the end, No Dorai is just another Bangladeshi film with a potential wasted.